Rough Shot List for TV Spot

Here is my shot list for the first of the trailers that I am going to start filming soon. I have included the distance of shot and some description of elements of mise-en-scene, particularly figure behaviour.

• Medium close up of Alex (Tom Willis) - staring directly at camera - front lit/black background 

• Medium close up of John Gilbert (Terry) - drinking a pint or something

• Medium close up of John alsop (The Hacker) - medium shot of him being techie (run tree on cmd window with home-brew style) and pan round

• Medium close up of Graham (Demolition Man) - medium close up making something smoking camera is behind the island - we see chemistry equipment on surface or over the shoulder with a freeze on face 

• Medium close up of Milo (The Driver) - from behind in the rear view mirror camera on rear seats 

• lots of close ups of feet, hands on stearing wheel

• Medium close up of Manny (The Grifter) - fake phone call, medium close up, low angle looking up, one hand making motions 

• Medium close up of Christine (The Distraction) - medium close up of her putting something on face 

• Medium close up of Harley and Dylan  (The Muscle X2) - pinning someone up against wall, we see their angry faces

• Medium close up of Josh Davis (The Inside Man) - medium shot of him wearing an ID badge holding a clipboard, possibly wearing a boiler suit 

• close up of ID badge

• close up of ID badge then zooms out to see him in boiler suit holding clipboard

• Medium close up of Granny (The Backer) - David's choice on day, sipping a cuppa or end of table 

• Medium close up of Alex (Tom Willis) - staring directly at camera - front lit/black background 

Shots to be taken on a different day - will get the tube around London and film locations one by one.

• establishing shot / extreme long shot Tate Britain

• establishing shot / extreme long shot  Natural History Museum 

• establishing shot / extreme long shot Science Museum

• establishing shot / extreme long shot Victoria and Albert Museum 

• establishing shot / extreme long shot National Portrait Gallery 

• establishing shot / extreme long shot the National Gallery

• establishing shot / extreme long shot British Museum

NOTES: First time camera not moving, leave for 15/20 seconds.

Second time exactly same, but with slow pan.